An aesthetic analysis of the red nude by marcel duchamp

Suzanne Duchamp-Crotti —painter. As a child, with his two elder brothers already away from home at school in RouenDuchamp was closer to his sister Suzanne, who was a willing accomplice in games and activities conjured by his fertile imagination.

An aesthetic analysis of the red nude by marcel duchamp

Share via Email Marcel Duchamp's Fountain, It's just a brief walk from here in the fifth-floor men's loo to Marcel Duchamp's Fountain, an object sealed in a plastic display case on a plinth that is nevertheless almost identical to the receptacle into which I've just pissed. This museum treasure is no more or less than Duchamp described it to his sister in a letter of spring Duchamp warned against an attitude of "aesthetic delectation" that would transfigure his urinal into something artistic.

Training as an Artist. Fernand Leger came from the Basse-Normandie region of France, where his father was a cattle farmer. He trained initially as an architect () before moving to Paris, where he earned a living doing architectural drawings. Pop artists Tom Wesselmann reduced the classical female nude to her essential components: lips, nips and private parts - the height of American consumerism. Duchamp's cropping of the nude body displaces the viewer's attention from the frontality of sex to the pictorial frame that cuts the body off—a feature shared by other works, such as Two Nudes (Deux Nus; ), and Red Nude.

Yet, as a visual form, it is bizarrely lovely, so white and incongruously ethereal, and as art it is This meant that technically there were no grounds to refuse the mysterious R Mutt's last-minute entry of a men's urinal entitled Fountain - for he had paid his fee.

An emergency meeting nevertheless rejected it. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view - and created a new thought for that object.

The editorial in The Blind Man - whose authorship Duchamp never formally acknowledged, any more than he officially owned up to being R Mutt - is actually more important than the urinal itself, which was not his first "readymade" work of art.

Rather, it allowed him to make explicit an idea that until then was only a private musing. How did he come up with such a notion?

An aesthetic analysis of the red nude by marcel duchamp

This, it seems to me, is the question no one asks about Duchamp. His big idea - that any ordinary "readymade" object can be chosen by the artist as a work of art - has sunk so deep into modern culture that he is imagined almost as a biblical prophet, a remote figure of authority.

It's as if contemporary art history begins with him. Art is steeped in tradition - today, there is a tradition of the readymade - and to make a painting, a film, a photograph is to know you are contributing to a form that has been shaped and defined by predecessors. Even the most radical film is a film.

But Duchamp did something for which there was no precedent. Love or hate the art that claims him as ancestor, you can't deny the originality of the thought itself, which I suspect was all that mattered to Duchamp. The readymade was a new concept of art, rather than just an ingenious and idle way of making it.

No wonder that most serious discussions tend to assimilate it to philosophy, from Richard Wollheim's famous essay that took the urinal as a paradigm of "minimal art" to more recent ruminations on Duchamp and Kant's aesthetics.

But I think we need to stick to the simple problem: With Tate Modern about to open an exhibition on Duchamp and his friendships with the brilliant playboy painter Francis Picabia and the subversive photographer Man Ray, let's try to imagine a time when no one dreamed of separating art from manual labour.

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An aesthetic analysis of the red nude by marcel duchamp

an aesthetic analysis of the red nude by marcel duchamp.. a research on paternity tests. Artwork page for ‘Fountain’, Marcel Duchamp, , replica on display at Tate Modern. Fountain is the most famous of Duchamp’s so-called ready-made sculptures: ordinary manufactured objects designated by the artist as works of art.

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Marcel Ducamp and the Red Nude The piece that I chose as my topic for this essay is titled Red Nude - Marcel Duchamp Essay Research Paper Marcel Ducamp introduction. This picture was done in oil on canvas. Training as an Artist. Fernand Leger came from the Basse-Normandie region of France, where his father was a cattle farmer.

He trained initially as an architect () before moving to Paris, where he earned a living doing architectural drawings.

Duchamp, Fountain (practice) | Dada | Khan Academy